Remarkable, timeless interpretation of David’s great psalm. And King’s offers the best performance with its inimitable tone and color (the acoustics of its chapel and the aesthetic and technical sensitivity of Mr Cleobury don’t hurt either).
Although this piece is normally reserved for Lent, it seems appropriate now, as much as ever, to plead for God’s mercy, not only on behalf of ourselves but also on behalf of the entire Western world formerly known as Christendom.
I have that in my Android, it was on a top 500 classical list somewhere. I remember when I could sing like that (St. Philips Montreal West) Now I make Brian Johnson sound angelic.
You can see lots of mine here:
http://priscillaturner.imagekind.com/store/Images.aspx/7fc30483-5894-4d8c-85ce-35fc052e7e54/IWASTHERE11
and here:
http://priscillaturner.imagekind.com/store/Images.aspx/ced84981-acd5-44c5-9ec6-11e9a4e0c916/IWASTHERE11A
and here:
http://priscillaturner.imagekind.com/store/Images.aspx/8bc6771c-4b70-4932-b9ad-1d49444b9b90/IWASTHERE11B
though none were made during services.
Remarkable, timeless interpretation of David’s great psalm. And King’s offers the best performance with its inimitable tone and color (the acoustics of its chapel and the aesthetic and technical sensitivity of Mr Cleobury don’t hurt either).
Although this piece is normally reserved for Lent, it seems appropriate now, as much as ever, to plead for God’s mercy, not only on behalf of ourselves but also on behalf of the entire Western world formerly known as Christendom.
I have that in my Android, it was on a top 500 classical list somewhere. I remember when I could sing like that (St. Philips Montreal West) Now I make Brian Johnson sound angelic.